Owning or not owning a series’ IP is not neutral for the producer. Beyond questions of spin-offs or sequel production, we’re talking about the audiovisual legacy of the country of origin and the value of production companies. Moreover, questions of quotas, access to financing and production subsidies underlie this question of IP ownership.
A panel of experts provides us with a pragmatic analysis of the situation, and suggests ways to re-establish a fair balance between the forces at play.
Session moderated by Julie-Jeanne REGNAULT.